project

and the capstone

Thursday, September 24th, 2009

BIND [steel, CRT, mineral oil, dvdBIND [steel, CRT, mineral oil, dvdCRITO [steel, projectors, wood, wax, TV, UHF + dvd videoCRITO [steel, projectors, wood, wax, TV, UHF + dvd videoCRITO [steel, projectors, wood, wax, TV, UHF + dvd video

LAURUS READING @ JONES

Thursday, May 21st, 2009

from a few posts earlier- here’s me TTS’ing my laurus entry and reading some 2600 letters to the editor.

thank you davix for the wonderful ZOOM+PAN

laurus

Saturday, February 21st, 2009

my text is published. check out laurusmagazine.com

also come to a reading/sighting of myself and more.

CRITO a film by edward sharp

Thursday, February 5th, 2009



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dichomety()

Monday, November 17th, 2008

http://edwardsharp.net/project/dichomety/

dichomety(), 2008
projected video, timed elements installation
dismantled
shown at unl open studio night, november 14th, 2008

using  31 dichotomies from an essay called The Cyborg Manifesto by Donna Haraway

a google image query gets made each time a new word is displayed

the 20 or so results are shuffled and then displayed

a minimum of five computers need to be running and processing data (with countless in between to handle the traffic moving hundreds of miles) to complete this: your own, my webserver, google, and two webservers that host the dichomety-queried image.

i built it using php/javascript, see the code.

hide

Saturday, November 1st, 2008

4′x’4 base, 4′x8′ light structure
concrete, steel, fluorescent lights, wax, tar, plaster
collection of artist

lnk2oma.mov + this&&that.wav

Sunday, October 19th, 2008

arm=tv

Monday, September 29th, 2008

mask
12″x10″x12″
crt, wax, steel
collection of artist

mask

Monday, September 29th, 2008

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ceremoney

Sunday, September 7th, 2008

CCCEREE_MONEY
16″x22″x5″
oil, plaster, concrete and epoxy resin on wood
collection of Scott Rieker and Jeremy Einsweiler

BIND_4(SEQUENCE_01.WMV)12.6MB

Wednesday, July 23rd, 2008

c:\>run VIZERX(1).AVI -location art farm

Sunday, July 20th, 2008

one arm & one remains of an arm

Saturday, June 7th, 2008

r

one arm & one remains of an arm
40″x60″x2″
oil, plaster, jb weld
collection of artist

conspicuous_consumption

Saturday, June 7th, 2008

r

conspicuous_consumption
40″x60″x2″
oil, plaster, wood glue, two part expanding foam
collection of artist
shown at unl 22nd undergraduate studio art competition, Eisentrager Howard Gallery, Lincoln NE
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leggs

Monday, May 19th, 2008

r

leggs
48″x48″x6″ stands 72″
oil, wax, wood, steel, bronze
collection of artist
shown at “extra raw” may 02, 2008.

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BIND(output.mpg) 4:2:2

Sunday, May 11th, 2008

if(sculpture.final){

print(”this video was played on a closed wi-fi network located in richard’s hall on the unl campus during a final critique for sculpture 411.”);

}

elseif(nin.ghosts.film.festival){

print(”begin playing your favourite nin audio mp3″);

print(”this was submitted for the nin ghosts film festival“);

}

walke.web.animate

Sunday, March 2nd, 2008

walke.web.animate.photo

the first phase was know as walke and lasted for a few hours during a visual arts in practice open house at unl (read more in walke). this project was then reborn as an installation in richard’s hall at unl for an advanced sculpture class. unlike the first phase- walke now included a stack of three non-working televisions that had been filled with two part expanding foam. tint of the foam in each television corresponded with an additive primary color (red, green, blue). on the other side of the room there was a functional television that played a fuzzy clip reel of selected short videos. these selected videos ranged from funny/stupid to grotesque/pornographic. the idea was to capture some essence of internet video- which doesn’t carry the burden of fcc broadcast regulation/censorship. the slightly larger than life size (20′x8′ screen size) video of nick walking back and fourth from looking at the stack of televisions, to looking at the video clip reel, was timed in such a way that a light would come on above to illuminate the stack of televisions when nick went over to look at them and turn off when he left. the video clip reel on the other side would similarly turn on when he walked over to stand in front and watch and turn off when he left. this was on a loop so nick constantly shifted from one side to the other. he would spend anywhere from 2-8 minutes staring at either the stack of televisions or the clip reel.

the final phase of walke is everlasting life on the web(ifitis.org)- void of any physical presence. the same video footage of nick and the clip reel is used. a picture of the stack of televisions is used in place of the real, physical televisions. video on the web is not any sort of simple or standardized thing. it can range wildly from propriety based format to format (flash, windows movie, quicktime). there currently no commonly accepted standards on how to play video on the internet. to make walke viewable on as many platforms as possible i decided to use one of the most widely understood formats- javascript. many devices have browsers that support javascript to some degree. i then exported all the frames as jpeg images (roughly 10,000) from my two videos, wrote some js to refresh the image every x amount of time to produce an animation of the original video. i’ve included my source code and some comments on it after the link for those that are interested.

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physical impossibilities of life in the mind of something dead (piolitmosd).

Tuesday, February 12th, 2008

0
physical impossibilities of life in the mind of something dead.bemins underground
collection of artist
shown at bemis underground “another stab: the family of man” feb-march 2007 in omaha, ne
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figuration

Sunday, March 11th, 2007

r
figuration, 2007
motor oil, india ink, concrete color on 4′x8′x1/4″ plywood (osb)
96in x 372in
thown away
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walke

Tuesday, December 12th, 2006

4
walke, 2006
projected video (30mins), tv, bench, timed elements installation
dismantled
shown at unl open studio night, november 16th

a figure walking back and fourth (left side of screen to right) staring at the static from TVs on the ground/in front. drone to the TVs the figure shows very few signs of emotion and appears to be lifeless.

a bench for you to sit.

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